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The Summers Behind You

by Barry Childs-Helton

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Sailplane 03:28
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Meantime Man 03:03
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Lyrics and music by Barry Childs-Helton Hangin' on that line again when you call me from Chicago— if I'm twistin' on the hook again, you'll never hear a peep. I get this picture of your face sleepin' tousled on my pillow— almost autographed— but I know it don't come cheap. You imply a steamy scene, yeah, you got my cameras running. Are you betting that you'll never be outgunned? When you step down off that plane, yeah, I'm sure you'll look just stunning, but I'm still sore from the last time I was stunned. I don't see where you get off just camping in my daydream— are you lookin' for some friendly fire or the way to Lovers' Leap? Either way, you've got a way of damming up my mainstream— there's some power there but I know it don't come cheap. Same old flame, same old game at that same old line of scrimmage where you thaw me out till you put me back on ice. Do you keep a silver frame in case someone fits your image? Well, I warn you, every picture has its price. Take it cool, take it cruel, take it any way you want to— we can dig each other's changes up if you want to go that deep. Did you figure out you want more than some handle to hold on to? I've got two good hands but you know they don't come cheap. Is it true it's just you— baby, have you cut your tether? Are we done with double-cross and double play? If you truly got that clue, maybe we can get together. If not, there goes the one that got away. If you're absent without leave from some routine that's killing, I've got troubles of my own to fix, maybe nothin' that won't keep. But nobody'd best assume that anybody's willing— the rewards are nice but I know they don't come cheap. You can load the dice but that turn to roll ain't cheap. You might fool me twice but this time... oh, this time... it don't come cheap.
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Incognito 02:26
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Lyrics and music by Barry Childs-Helton Did you find you an exotic foreign man? Well, if you want to, we both know you can. Please just let me know before you call. That's all I'll ask you this time, love, that's all. The last I heard, you'd met a short-haired Cypriot in exile who turned you on to ouzo and a couple other things. Or was that your Swiss physicist (the guy who loved hang-gliding) who called you down to Baja so that you could try your wings? (chorus) Geared up for hunting UFOs and V-2 desert wreckage, I hitched a ride to Roswell when my car gave up the ghost. Got back to find a perfumed postcard propped on my typewriter to tease me with that Concorde flight you charmed out of your host. (chorus) I woke up early, heard you touched down in the USA again. I walked out after rain today— the sky was deep and fine. I thought you'd be in London cadging airfare with a photoshoot, or maybe smuggling diamonds from some lost Rhodesian mine. Or... (chorus) So Mexico was primal, was it? Yeah, I read it somewhere. An article you did, or maybe it was just a card. I don't remember which now, but it sure left an impression like how the sun fled south from here just as the ice got hard. (chorus)
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Lyrics and music by Barry Childs-Helton Just ignore those hungry glances while you're slipping off the wetsuit and new Voits— maybe sip a gin and tonic while you stretch and tell one more of your exploits. You show a lot of skill at skin games. You've got handfuls of men— what became of their names? Are they lost between the summers behind you, one at a time? I still dream about that island though I always run aground in the small hours while you're cruising from the slopes into the cool white rooms of the tall towers. Did you find executive bliss? Are you thinking of changing your habitual kiss? Did you leave it in the summers behind you, one at a time? Well, I'm keeping it together though it's nowhere near a precise fit. Where do you put excess fascination when nothing excites it? Do you still ease into conquest with that balance of display and defiance? Maybe check your parner's armament before you form your short-term alliance? Well, the powerboats bob in the sun, so you'd better get on with what you've begun— and leave 'em stranded in the summers behind you, one at a time. If I see you in the future, then you'll know it's not the one that you ordered— unless you made that lissome landing where the sunlight is too sweet to be sordid. Well, a sunburn will eventually heal— yeah, you might've been right that we could've been real— but that's a story from the summers behind you, run out of time. Another story from the summers behind you, run out of time.
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Lyrics and music by Barry Childs-Helton Disbanded at the door, we'll gather but we don't know when. I've read all this before, or dreamed up something like it then. Oops, wrong century— nobody here but strangers. Be my mystery and I will be your stranger. We stubbornly defend the fragments of our old ideals— our injuries extend from underneath these broken wheels. Ideologies— mad dogs in burning mangers. Be my mystery and I will be your stranger. Heroically the heretic, fanatically the foe, we lean so hard on the nothing we know, limping off to where good martyrs throw their murdered questions. Just asking, are you going anywhere that I could take you to? And if there isn't time to jot us down in the margins of Who's Who, I'm on your map as somewhere you're accelerating through, then call it fun until we're done, more living proof that one plus one doesn't always equal two. Just asking, where's it written we must be invincible or wrong? That you can't stay, regardless if I get to go along? That love and peace are lyrics in one more forgotten song? Not much to save, no rising wave, nobody home who's free or brave. Tomorrow we'll be too far gone. Routine disaster's been and gone, left no more than this: these separate flames in this cozy abyss. Nothing ventured, everything missed, tested or beaten. Well, sure, let's beat our treasure into blades for never-ending wars. Catapult our afters against our ironclad befores. No security, just artificial danger. Be my mystery and I will be your stranger. Just two more fleeting sparks impersonating you and me— so brief against the dark, watch them burn away to mystery: Tears upon the sea won't quench him and won't change her. Be my mystery and I will be your stranger. More than what we see. Infinitely stranger.
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Bright Toys 05:31

about

"The Summers Behind You" is Barry Childs-Helton's first solo album. Its 17 tracks of Barry's original "English-major folk-rock with aerospace motifs" will take you to a world of analog-era technology, science-fiction as metaphor, busted college romances, literary allusion, and wry humor. Barry delivers a versatile guitar style on ten different instruments to underpin his smooth vocals. Full printed lyrics in a multi-page booklet provide "a read for your ears", and the Dragon Scale Studios graphic design recalls vintage postcards of a midway beyond summer. Travel there with us!

credits

released October 23, 2015

All music, lyrics, guitar and vocal performances, and photographs are (c) 2015 by Barry Childs-Helton. All rights reserved.

Engineering, mixing, mastering, photo manipulation, graphic design, and layout by Katt McConnell at Dragon Scale Studios.

Produced under Dragon Scale Records at Dragon Scale Studios in Indianapolis, IN. Find more at dragonscalestudios.com on the Web and on Facebook at facebook.com/dragonscalestudios.

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Barry Childs-Helton Indianapolis, Indiana

Barry is known to science fiction fandom as a singer-songwriter-guitarist with wife Sally Childs-Helton, the Black Book Band, and Wild Mercy. (Photo by Beckett Gladney; banner photo by Shawn Olson.)

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